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If it does then it will be found in the full download file itself.
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You will find the Transient functions not only ideal for mastering, but as great tools for the mixbuss and even drumbuss.Slate Digital is the leading developer of audio plugins for mixing, mastering and post production, with plugins for all DAWs like Pro Tools, Cubase, Logic.įound 7 results for Slate Digital Vcc. Detail adds more clarity and focus to the transients, perfect for buried snares or kicks. Enhance allows you to transparently increase the level of the transients in a mix, increasing the punch and dynamics without altering other elements of the mix. The Transient function contains two controls to fine tune mix transients. Control The FG Level maximization plug-in offers the user complete control of their mix, before and after the level maximization process. The result is the most transparent means of level maximization the industry has ever heard, with extreme transparency, and no degrading artifacts common to peak limiters. For a snare drum transient, it will optimize the algorithm to preserve upper mid range punch. It then optimizes a specialized set of saturation curves for that specific transient. New Advanced Algorithms were created to execute the extremely complex communication system that would be needed to properly perform the new dynamic operations. What they found, was that in order to transparently add level to a mix, a dynamic and intelligent transient saturation system would have to be developed. They started by researching saturation curves and their effect on various types of transient material.Īfter several months of study and hundreds of listening tests, they made some fascinating discoveries. Ip67 linear actuatorįG-X Dynamics Rack Two years ago Steven Slate and expert algorithm engineer Fabrice Gabriel started working out the concept for a digital audio process that could increase the level of a mix without altering the punch and dynamic feel, or make the mix sound squashed and lifeless. Both static saturation and clipping have a small window of gain maximizing before audible distortion. Static saturation curves are not universal in their ability to sound good on all transients.Ĭlipping greatly reduces low end punch and is very poor at retaining sub bass. However, both of these methods, while usually more unobtrusive then peak limiting, have their downfalls. One of the more popular techniques is the use of saturation in both the analog and digital domain. Some of the top mastering engineers have found ways to combat this sonic degradation by using techniques other then Peak Limiting. Peak limiters attenuate transients and often reduce punch, stereo imaging, can greatly alter mix balances, and cause a fatiguing result to the ears. One of the main causes of this epidemic is the use of the Peak Limiter to achieve increased levels in the mastering stage. Masters have become louder and louder, at the expense of the music becoming harsh and lacking punch and dynamics. The Concept Imagine mastering your mixes without causing the lifeless, squashed, and over compressed sound that has become so common in modern music.